DONE! For now…..

I have finished my draft for my WIP. Today or tomorrow, it gets wrapped lovingly in tissue paper and sent to my editor.

Here is where the hard work begins.

I know there are things about the story, character, plot, grammar that will require correction. I may have to drastically change parts of the story. What I consider a central element may simply not work, and I may have to trash the whole thing and start from scratch.

It’s all part of the editing process.

I am changing editors for this work as well. My last editor, while great for grammar and punctuation, fell short in the developmental area. I need a developmental editor as much if not more than a copyeditor. So, a change with a new person is in place.

I will keep you updated for the progress of the work as we slog through the swamp of editing revisions.

Have a lovely day. Stay safe, Florida.

Until next time,


Still working Major Tom

In honor of the eclipse, I will characterize my current writing style as a gaseous primordial ball of characters held together by weak gravitational forces surrounding minute dirty iced fragments of plot that I hope will coalesce into a cohesive story.

Yes- I am at that place where if I reach out my fingers I can barely touch the finish, but there are so many disparate plot issues and things that need fixing I start to doubt if I will ever finish.

So, all systems are running smoothly and per expectation for this part of the WIP:)

Hope y’all have a lovely week. I’m off to wrangle a stardust-glittered set of ideas into a real story.
Until next time-

*Musical choice for the week- Bluegrass. Lots of bluegrass.

How to write a book- from idea to finished rough draft

from Fritz Lang’s seminal 1927 science-fiction classic Metropolis

Gentle reader, this post will start a series on how to write and publish a book.

I know, I know. It’s a big topic. I’ve invited guest bloggers for part of this journey to speak about their areas of expertise.

This first post is about how to get from an idea to a completed rough draft. I will share my process, such as it is, in hopes that it helps someone else in their journey.

How do you start a book? Well, you start with an idea.

How do you transmogrify that idea into a fully-fledged story? That’s the hard part. Avoid the techniques in the picture above! Some people just start writing, no idea of where the story will head- these persons are referred to as pantsers. Plotters start with an outline of places, story arc, characters, and outline everything before they start writing. Lots of writers float between these goalposts.

My personal process is a hybrid version of the plotters and pantsers. I will start with an outline, like for the first three chapters, and I have an idea where I want my story to end- the big climactic scene. Once my world building takes hold, I need to revise and change things a lot, which is why over the years I realized it makes no sense for me to outline anything more that the first bits of story. My outline is a work in progress, and is a combination style sheet and novel scaffolding  than I can use as a basis for a synopsis if needed. For me, the outline serves as a repository of all things plot, world-building, character and setting.

Once my outline is started, my creative juices are flowing and I start writing. I don’t worry too much about anything at this point other than getting the words from my head onto the page. I tend to write sparsely at this stage with just enough detail to define setting, time, place, and character.

The next part is where I hit the rapids.  I typically produce roughly 10,000 words before the creativity starts to wane. Doubts creep in. I question my hypothesis, my choice of character, my choices for anything, and in general believe all that I have written at this point is a pile of garbage. Which is sometimes true.

WHATEVER YOU DO DO NOT HIT DELETE. This is the part where the harder work for me kicks in- here is where I go back to my original outline, my original world-building, my original character sketches, and get everything back on track, reform the characters and plot to conform to my original idea, as I have invariably gone off the trails by this point in the work. This helps me refocus and plow through the next 30000 words or so. Then I write the ending- not because my story ends at 40000 words, but because I need to see the finish line and this propels me forward the rest of the way.

After this scaffolding is complete, then I go back and fill out the rough draft with details, correct POV, fixing plot and character issues, which adds another 10000-15000 words.

Then I take pivotal points in the story, write them out on index cards, and rearrange them into HOW I WANT THE STORY TO BE. Of note- the pivotal points may not be an entire scene- it may be a conversation with a character, or a particular plot point. These go on the index cards as well. I’m not Mozart, so there is a LOT of rearranging and gnashing of teeth to get the pacing right with the story choices made at this juncture.

Then I start the first edit.

Seems like a bit of work just to say I am done with my rough draft, but I cannot slog through the mess of a NANOWRIMO type of verbal regurgitation, and I stall out and just keep going back and editing stuff if I don’t force myself  to plow ahead.

THE key for me, at the end of a rough draft, is to know the motivations and conflicts of my main characters, have the plot arc set, with setting and tone and voice trending in the right directions.

All the rest, I fix with editing. I also have a decent rough draft to work with, so my editing is *faster* than if I just verbally vomited on the page and try to sort it out.

Your mileage may vary.

Next post, I talk about how I keep all these things sorted until I can put them into my final document— organizing your workflow up next!

Researching historical facts

Gentle reader, if you have read my novel Prodigal Spell, you know I write historical fantasy. This post is directed mostly to fledgling writers out there, and it is a warning. Ignore historical accuracy at your own peril. Research is necessary, but is its own cruel challenge.

My novel is set in 1790s London and the Caribbean. It would be ludicrous to NOT have slavery present- my heroine is a landowner. I researched the slave trade, transport routes, auction sites, the whole sordid mess because I wanted as much historical accuracy as my fantasy novel could support. My London scenes were researched as thouroughly- I actually cut two scenes set in the British Museum because I could not verify if the  real- world exhibits I included in my fictional world were on display at the time. Unable to crystallize those facts, the scenes were removed in the final edits.

Readers who digest historical works want accuracy. If I pick up a Cold War spy novel, it better have actual adversaries in the world-building. If there is a Colonial work about witch trials in the American colonies, I subconsciously look for a reference to the Salem Witch trials. It matters, and how you incorporate it into your stories is where to be clever.

Here is where historical accuracy can become a whirlpool to the center of the Earth; an author can spend so much time researching, agonizing over the tiniest details, that the writing lays discarded. I heard that siren call myself and lost a good three months of productivity. I am a slow writer, so three months of lost words is like three novels worth of time for others:)f

Too little facts, and the book floats in its own sphere, not quite here and not grounded. The other end of the spectrum is just as faulty- too much real-world and the book is a history book disguised as a work of fiction. Few authors can pull this off well.

My process is thusly- first, I research the general time period and “all the things I think I know” and keep these web clippings in one place. I use OneNote and Evernote for this, but as I move to Scrivener, it may make sense to have this in the WIP binder. Next, I outline the work. My outlines are not as robust as some and I add as I write, but it is a good way to know where my thoughts land. Lastly, I keep a running list of things I ponder as I outline or write, and research JUST THOSE THINGS as I am writing. Too much free-form reading while creating and I am lost. Once my rough draft is complete, I let it marinate for several days before starting the editing process. As I edit, again I track down details and incorporate them into the story, so that I feel comfortable by the end of the first edits that I have the historical details correctly reflected in the work. None of this is foolproof, and every time I have a beta reader for my work there is always a detail that needs fleshing out, but they are few. This process works for me to balance the writing and researching- your mileage may vary.

Don’t let the idea of researching a topic deter you from writing a novel. Have a plan, make a plan, and stick to it. That is the best writing advice for any stage of writing. 

I hope this helps any newbies out there!

A Bientôt,